
I understand one part of the title. The "bayama irukku" part. Enakku bayama irukku. Thamizh cinemavoda nilamaya nenacha rombavey bayama irukku. Now the azhagai irukka part....who exactly are the movie's makers referring to here? Well, i dont want to sound too bitchy, i'll rest my case.
AIBI (the popular acronym for the movie) starts out as a convoluted love rectangle (ha! you didnt see that one coming did ya). Just when you wrap your tired mind around the rectangle concept, the script writers zap you with another twist in the tale. Its not a snazzy new rectangle concept, its just another jaded love triangle subject.
The director tries to handle the story differently - by adding call-outs and animated cartoons. If you hated the stupid CGI parrot in Main prem ki diwani hoon, do not even attempt watching AIBI.
Bharath is good. He is no longer the gawky Boyz teenager, and his performance has the right mix of vulnerability and playfulness.
Yuvan Shankar Raja's music is one of the high points of the movie. Its different, refreshing and very much like the new Chennai...I am still clinging on to the old Madras and Yuvan's dad's slow songs, so it will take a while for his music to grown on me.
The first half of the movie is actually a little watchable, if you try and ignore the heroine - Mallika Kapoor. Everything goes downhill when the Ooty flashback starts, with "coimbatorelendhu ootyku CARliyey polam" - fame Renuka.
I can tolerate an over acting heroine or an over acting mother. Throw both of them into the same movie...and make them yell a LOT...and you begin to see why even the movie's writers included the cautionary term "bayama irukku" in the title.